Showing posts with label 18th century. Show all posts
Showing posts with label 18th century. Show all posts

Friday, 14 June 2019

Eighteenth Century Work in London: A Guide




Until recently these characters were little more than doodles in an old sketchbook I had.  Upon their rediscovery, I decided to give them a bit of a makeover and let them see the light of day.

And here are the results!






From 5pm on Sunday 16th of June 2019 all of these items will be available to purchase as postcards, prints and concertina books.

Visit joannarobsonillustration.bigcartel.com to see the full collection.










Wednesday, 5 August 2015

New greetings cards


A georgian hen night

In light of the surprise success of these cards, replacements have been ordered and will be available to purchase online soon.  The original Valentine's Day inspired illustrations have been given a bit of colour and another design has been added too - 







inside: '...costly and unmanageable.'

Saturday, 7 February 2015

February Fourteenth

Two of the four cartoon cards about to go to print in time for Valentine's Day next weekend...  Message me if you are interested in having one - 



new logo

Tuesday, 7 May 2013

On Opulance illustrations


Illustrations for Hope Whitmore's article On Opulence, published 6th May 2013.

Full article at http://hopewhitmore.wordpress.com/2013/05/06/on-opulence/

Sunday, 16 September 2012

The Fleet re-visited

More recent work from the MA project, which was dying in a bottom drawer until a couple of months ago. Above and below are some character sketches and completed panels, all set in London's Fleet prison in the early 1700s.





Sunday, 12 August 2012

Sands Films Studios

(aka costume heaven)

On the weekend I saw inside of Sands Films Studios, a film production company in Rotherhithe, London.

Founded in the 1970s by Christine Edzard and Richard Goodwin, it runs its own studio, workshops, cinema, cutting room, make their own costumes and own sets. Sands Films Studios are also a well-established costumier and have produced costumes for films such as Little Dorrit, Pride and Prejudice and Marie Antoniette.

Whilst there I made sketches of a few early eighteenth century coats and waistcoats – a huge treat for me as the only source material I have for period costume are from films, paintings and occasionally original items on mannequins in museums.




After seeing inside of their store rooms full of eighteenth and nineteenth century clothing, I started to wonder if everyday beautiful clothing is a thing of the past. There was so much to look at! And so many beautiful items of clothing hanging up on rails divided up by decade and class. Ornate trims, textures, patterns, and dresses in designs I had no idea existed or were even possible... I was blown away. I could have spent much longer in there admiring everything.

Seeing the costumes for the film Marie Antoinette was particularly special, not least because they were so beautiful. I began to realise that what made such pieces of clothing almost magical is that they are storytelling devices that help make you (the audience) believe in the story and in its characters. The costumes make you believe.

For further info on other films and productions (and photos), visit the Sands Films Studios website here.

Also, there is an excellent audio slideshow of the Sands Films Studios by the Guardian that's well worth a look - click the above link to view.

Tuesday, 3 April 2012

18 Folgate Street, Spitalfields


Last month I visited 18 Folgate Street in Spitalfields to make sketches for a project set in 1700s London.

The house is like a cross between a museum and a walk-in storybook, and upon entering the rooms you discover them as though their eighteenth century inhabitants had just left moments earlier.

The place has a real atmosphere and felt like being thrown back in time by 300 years - which was just what I was looking for.









Above: a frock coat and tricorn hat, hung on wall.
Right: house of cards and books


With no electricity in the house, lighting is only by candlelight and by the tiny ammounts of natural light coming in through the narrow windows.


Drawing with such little light and with a white pencil on a black surface can be tricky and you don't really know what you're drawing until you look at it in daylight.










Above left: the smoking room; above right: pin board in the front room




Below left: pen and ink version; below right: Mrs Jervis' drawing room


Below left: sketch from front dining room; below right: the drawing room



Sunday, 26 February 2012

The Fleet

Two inmates from the Fleet Prison


















( This is part of an on-going project which I will be working on more this Spring )

Monday, 7 November 2011

A day in the life...


These were inspired by some of the letters of Lord John Hervey. I've put up some of the better panels here: