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Two days before she was hung, William Hogarth and his father-in-law James Thornhill visited her in her cell to make sketches for her portrait.
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I wanted to include this scene because it shows Hogarth in a cynical light (the pages following this scene will explain why). The dialogue for the prison scene was difficult and in the end I settled for very little speech, because anything else felt too forced.
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Her painted portrait hangs in the Scottish National Portrait Gallery. Hogarth made a print of this painting (see below), which looks a bit demonic by comparison. He had little sympathy for her, and was alleged to have said that
"this woman by her features is capable of anything".
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"A Lady Macbeth in low-life." - John Ireland
I also find this an interesting story-to the extent I wrote a book about it. I like the illustrations you have done.
ReplyDeleteJ.E.Adams
Thanks for your kind comment. Is there anywhere that I can find your book?
DeleteJo
amazon kindle and print. The Painter the Laundress and the murders at the Inns of Court.
ReplyDeleteThat sounds like a really interesting story. The engraving does make her look sharper and harder - her fingers even look a little like talons. She looks older than 22 in Hogarth's painting/engraving! I'd have put her at late 30s early 40s. But maybe that's down to a combination of hard work, poor diet and gin...and clothes tend to bulk people out and make them look older too. Of your illustrations, I think I like the first one best - the images and the text boxes fit together really well, and I like how you've focused on her hands and her rosary.
ReplyDeleteThanks! Yeah you're right, she does look older in the print... I hadn't noticed that before. Though that could just be Hogarth's depiction. I think when he doesn't want you to like someone, he'll play up the worst aspects of his sitter... like with his portraits of John Wilkes or Lord Lovat.
ReplyDelete